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20121101
20121130
Search Results 0 to 5 of about 6 (some duplicates have been removed)
to the streets this weekend. >> now that we know who our president is and what he's willing to do for us, we are even more excited about getting him re-elected. >> this morning we hit 600 houses. this afternoon we probably hit about 20 or 0 houses. not everybody was home but enough people were home that we were able to spread the word. >> woodruff: we assess the polls and the state of the race on election eve with stuart rothenberg, susan page, and andrew kohut. >> ifill: lawyers gear up to monitor polling stations tomorrow. what will they find? jeffrey brown takes a look. >> woodruff: and from legalizing marijuana to gay marriage and taxes, we break down ballot measures worth watching. >> ifill: that's all ahead on tonight's newshour. major funding for the pbs newshour has been provided by: all its own. with united health care, i got help that fit my life, information on my phone, connection to doctors who get where i'm from and tools to estimate what my care may cost. so i never miss a beat. >> we're more than 78,000 people looking out for more than 70 million americans. that's health in n
has been provided by: ♪ ♪ moving our economy for 160 years. bnsf, the engine that connects us. and with the ongoing support of these institutions and foundations. and... this program was made possible by the corporation for public broadcasting. and by contributions to your pbs station from viewers like you. thank you. >> woodruff: the u.s. death toll from the giant storm named sandy has risen to at least 63 today. about 6.5 million homes and businesses are still without electricity though there were signs of daily life returning to its usual rhythm in some places. a familiar sound returned to lower manhattan streets last night. ( horns honking ) the power did not. police helped direct traffic with signals still dark, but one taxi driver said it wasn't worth the risk. >> it's been dangerous. i've got to go home, i'll walk. there's no traffic signal light, no nothing there. >> woodruff: you're going home? you're done? >> i'm done already. >> woodruff: it wasn't much easier for pedestrians who made their way on foot, some with only flashlights leading the way. >> it's really uns
of early r&b vocal groups that began to cross over into the culture of the big cities and helped us identify ourselves in the process. [applause] and now... thank you. and now the capitol recording stars, the singing five keys! ♪ ♪ i sa mok em boo di ay ♪ i sa mok em boo ♪ i went to china town ♪ way back in old hong kong ♪ took out some egg foo yung ♪ and then i heard a gong ♪ ling, ting, tong, tried to sing that song called ♪ ♪ i sa mok em boo di ay, i sa mok em boo ♪ we were the first rock-and-roll generation. before us, the kids had to listen to what their parents listened to, the big band. nothing wrong with the big band, but it's the first time the kid had his own music. ♪ and as i looked around ♪ the lights were going down ♪ and this is what i found ♪ a ling, ting, tong, tried to sing that song ♪ ♪ called i so mok em boo di ay, i so mok em boo ♪ bobby jay: there was a new market coming along that no one yet identified or targeted, the teenager. they were always there. in the '40s with sinatra they were called bobbysoxers. they didn't want to
could find, which would have made life a lot easier for all of us. right. but what i saw initially, stylization. not only the colors that were used, but the way the colors are applied to this piece. let's show it in the round. the design is very unusual, and to my eye peculiar to shearwater pottery from ocean springs, mississippi, which started in 1928, and which was destroyed when katrina went through there a few years back. they're rebuilding it, but it's a very famous pottery, primarily run by walter and mac anderson, who did most of the decorating through the '30s and '40s and '50s. walter is recognized as an artistic genius. couldn't really socialize. he was left to himself to decorate and design. but this is what he did. the colors, the patterns. what also i notice, where the clay shows through, and then the clay color inside, looks to me like shearwater pottery. so i'm pretty sure that's what it is. and it's what we have to do when we don't have a mark. i did research. there's not an exact picture of this in any of the books that i found. and so we have to make certain educa
Search Results 0 to 5 of about 6 (some duplicates have been removed)

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